“Ma’am, I’m at the address you gave us, but I’m pretty sure nobody lives here.” — -Cell phone call from the Comcast installer.
You can’t always judge a book by its cover. But, you can tell a lot about my new home by its floor: embedded buttons, plugged utility holes, and linseed oil stains.
The floor, along with 3 banks of 10 feet x 10 feet windows, 14-foot ceilings with exposed pipes and a brick wall, set the stage for the trickiest home decorating chore I’ve tackled, to date.
My new address is in an once industrial part of Jackson, a few blocks from Downtown. In 1928, the four story brick building was known as the N & W Overall Company Building. It was said to be a textbook-quality example of mill construction promoted by fire insurance underwriters in the 1920s: thick masonry walls, heavy timber framing and fire-retardant, slow burning materials.
Approximately 500 employees stitched bib overalls here for 40 years, and during WWII, N & W was a major supplier of Army uniforms.
Around the 1970s, the Williamson-Dickie Company took over operations and continued to make work clothes until the early 1990s. You can still buy Dickie’s work clothes today at JC Penney’s, Walmarts and on-line, made from one of several Dickie’s plants operating in other parts of the country.
In the 1990s, architect Robert Polk transformed the building into a mixed-use facility with loft apartments. The first inhabitant of my loft was the late artist Carol Hardy Piggot who is know around the South for her beautiful depictions of scenes inspired by Eudora Welty stories. It was around the early 80s in New Orleans when I saw my first Carol Hardy Piggot painting and had two epiphanies: that original art had a special energy and that people would actually pay $6,000 for that special energy. I visited Carol Hardy Piggot’s paintings every time I went to New Orleans but I never purchased one, for obvious reasons. But, I now daily pass by the sink in my utility room where the artist washed her brushes. It was installed especially for her and still shows splatters of oil paint.
As interesting as the inside of Dickie’s Loft building is, the view outside my 3rd floor window measures up. Looking north to the skyline of Jackson, I can see the Old State Capitol to the right and the new State Capitol to the left. The new Federal Courthouse is right in the middle; a modern high rise flanked by two historic, lighted domes.
The first week in residence at Dickie’s Lofts, I couldn’t help by notice the two people on top of what I would later learn was the Hinds County Court Building. Depending on where I was in the loft, they positioned themselves in different proportions to each other; sometimes close together, sometimes at opposite ends of the building. Judging the size and distance, I acknowledged that these were not people but statues. It was my high school friend and current City Council member Virgi Lindsay who solved my mystery. My constant companions, 3 blocks away and on top of the three-story court building: Moses and Socrates. Moses, the giver of the law. Socrates, the interpreter of the law.
Although a very pleasant view, Jackson’s skyline doesn’t quite measure up to most metropolitan cities – not just yet, anyway. But who else can boast Moses and Socrates, looming larger than life, as next door neighbors.








































































































